![]() “That’ll Be The Day” (1958, Buddy Holly).“Crazy” (1961, Patsy Cline, by Willie Nelson).“Over The Rainbow” (Judy Garland, 1938, by by Harold Arlen and E.Y.Harburg).“Heart And Soul” (1938, by Frank Loesser and Hoagy Carmichael).“Blue Moon” (1934, by Richard Rodgers and Lorenz Hart).“Harlem On My Mind” (1933, by Irving Berlin).Where necessary readers should confirm the meaning of terms in our music glossary. It presents the listener with a change in mood in the song, often using contrasting melody, lyrics and chords.ĭerived versions of this form (AABABA or AABAA for example) or AABA with the addition of a coda (or “outro”) are not uncommon. The B section is known as “the Bridge”, “Middle Eight” or “the Release”. The B section often provides melodic, harmonic, rhythmic, or contrast in texture. The bridge gives the song contrast before transitioning to the final A section. This is followed by the bridge (B) which is musically and lyrically different than the A sections. The phrases of the A sections often comes to harmonic closure. The A sections are similar in melody but different in lyrical content. In modern terminology the A section is repeated as the main section of the song and is known as “the verse”. This song form is used in a number of music genres including pop, jazz and gospel. For those interested in historic changes in meaning of songwriting terminology, please read “ 200 Years Of Song Writing Terminology” by Songstuff author, Colin Lazzerini. To add to the confusion, the complete 32-bar AABA form is known as “the chorus”. Just to confuse everyone, these long introductions are called “the verse”. During the period from the 1920s to the 1940s, many songs used lengthy introductions that wandered around before leading into 32-Bar, AABA structured songs. It should be noted that the meaning of some terms, such as “verse”, has not always meant the same as it’s current commonly understood meaning. The Changing Meaning Of “Verse” and “Chorus” This was written in the mid-'70s, and I was trying to seduce girls.Popular music, in particular, often uses a number of common structural song parts.įor details about these song building blocks please read our article, “ Song Building Blocks“. “But on the other hand, it was of its time. It's kind of a selfish song - like, who cares what happens to you? What about what I want?” Joel admitted to the Los Angeles Times. "It's occurred to me recently that I'm trying to talk some poor innocent woman into losing her virginity because of my lust. "The minute they banned it, the album started shooting up the charts." Still, Joel admitted that his perspective, while honest, may not have been healthy. "When I wrote 'Only the Good Die Young', the point of the song wasn't so much anti-Catholic as pro-lust," Joel recalled to Performing Songwriter magazine in 2012. While many listeners missed the song's subject matter, the New Jersey archdiocese certainly noticed, convincing radio stations in their area to ban the song. ![]() Billy Joel’s 1977 single “Only the Good Die Young” is about pure lust – or, more specifically, Joel’s attempts to get a chaste Catholic girl to lose her virginity. It’s not an ode to James Dean, Marilyn Monroe or anyone in the 27 Club. Nope.
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